Went to a free talk by Hanif Kureishi, author of The Buddha of Suburbia, The Black Album, Intimacy, Love in a Blue Time, The Body, Gabriel’s Gift, Midnight All Day, Something to Tell You and now the latest released The Collected Stories, at Foyles bookstore. It was a full house event.
I read his first book Intimacy during university and it was one of the books that influenced me most. I was so taken aback by the rebellious voice. I found it thrilling to read. Reading is not a sedate or escapist activity, it is rebellious and highly uplifting.
Kureishi points out the need for research. Then there is also writing about families and love which need lesser research because all the time you live your life, you have been researching on these themes. Finding out more about your partner, your family members, your children. He said his kids said to him one day: “Dad, the problem with you is that you do not realise how much we hate you.” He has a brilliant way of capturing the readers and the audience.
He said we are all inspired by the way we love and hate our partners, and that those hours you spent in the kitchen arguing with your wife are real-life research. He points out that there must be a certain degree of understanding before you can write confidently about the subject. Fantasy is fine, but you do have to feel that you have the depth of insights and freshness of perspective before you can dive in. He said there are subjects that he cannot imagine writing, because of that reason.
Unsurprisingly he was also asked if he felt the need to disguise characters in his writings, since they might have to do with his closest people. He said that writing is not so much to expose other people’s stories but to make a good story. The judgment lies in what makes a good story. He tends to be more general in the use of other people’s story. I think it is an important area to think about for those being writers. Inevitably your knowledge about yourself and your close ones inform your way of thinking and creativity, but as Kureishi mentioned, there is no necessity to expose other people. The point is to project a voice of your own.
I find it curious the way writers connect. I see myself as a Chinese writer, and we are so different in terms of background, nationality, knowledge, career, language…yet when he spoke, I found no difficulty appreciating what he thinks.