Thomas Heatherwick and his art intrigue me.
Years ago, my boss at Swire gave me an interview clip on Heatherwick’s childhood. I find out that Heatherwick, born into a family of artists, harbours a questioning mind since he was a child. He likes to find out new ways of doing things. It’s fascinating how the curious, geeky child who makes strange greeting cards and craft for his mom becomes the man that he is today.
When I was working in Hong Kong, I remember seeing the British artist for the first time, the creative mind behind the £120m Pacific Place Contemporarisation project, a visionary attempt to redesign one of the best malls in Hong Kong. He has a very intense look about him and doesn’t seem to give a damn what the world thinks of him. There he was, artist behind B of the Bang, in a press conference and media tour that promoted his creative work, oblivious to all that publicity surrounding him. He looked as if he was thinking of his next big idea. Nowadays, Pacific Place has a much more dramatic look about it, with the lighter shades, rippling wooden facade of toilets, musical capsule lifts, airy piazzas, a greenhouse Italian restaurant, and a dazzlingly luxurious hotel with a most modest stony facade (For more, click here).
The living coral sculpture he did for Shanghai Expo’s UK Pavilion this year is equally startling. I love the subtle, quivering silhouette of the sculpture (video).
London Mayor Boris Johnson has announced Heatherwick’s design for all Londoners: a new, low-emissions Routemaster bus which, in my opinion, looks like a red cake of soap. The new bus will roam London’s streets from 2012 onwards.
Have a look at his medium- and large-scale projects on his studio if you have the time. They seem to assume a life of their own. (Heatherwick studio)
I am still planning to go to the Beach Cafe in Sussex he designed one warm sunny day.