The brutal precision of poetry

A poem a day 

I have recwetherspoonently helped to create a short clip for Kim Moore’s poetry reading of ‘Tuesday At Wetherspoons’. This poem speaks to me more than ‘Robin in Flight’ by Paul Adrian (the prizewinning poem for the National Poetry Competition). Having listened to it over and over as I edited the clip, I am intrigued by how emotion and imagery become intertwined with each other, how the poet does not let you go away without feeling disturbed. There is tenderness mixed with an almost brutal quality in the precision of poetry, quite surprising for such a young poet: ketchup around the mouth, the hand between the thighs, the sad gleam of the forks and knives at Wetherspoons on a weekday. I find it a very effective way to include the name of the pub, a detail that gives gravity and a twinge of disappointment towards unglamorous life. Interesting to be reading and listening to this poem before the royal wedding day. It leads one to think about the ideals and tension in a relationship. Her poem reminds me of Philip Larkin’s work, especially ‘Home is So Sad‘.

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