where grows creativity, in wilderness?

Food for thought at the upcoming discussion in Hong Kong Literary Festival on 11 October, 7.30pm, Dr Hari Harilela Lecture Theatre (Shaw Campus) Baptist University. Simon Armitage (author of many collections including Seeing Stars by Faber and Faber), Prof Daniel Chua (Head of School of Humanities, HKU), Prof Lo Kwai Cheung (Professor, Department of English Language and Literature, Baptist University Hong Kong), Prof Hans Lagegaard (Professor, Department of English Language and Literature, Baptist University) and I will be in dialogue on creativity and world cultures. Come along with a question.

Creativity wears its deceptive mask. It looks like thought but resembles athletic exercise, requiring consistent discipline and no-nonsense action.

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I have never met a good writer or a good artist who is lazy. No matter where they come from, or what past they have left behind.

There’s no rule nor confine for creativity, but is there a condition that promotes it?

For full event details and other happenings in this year’s festival, check out festival.org.hk. Register for this free event at martintcho@hkbu.edu.hk.

Colm Toibin, author of Brooklyn and Empty Family, will talk about Ireland as land of literature on 13th October, 2.30-3.30pm at Kee Club.

West kowloon arts hub in Hong Kong part 1

m plus Hong KongGraham Sheffield, former artistic chief of Barbican Centre in London has decided to quit his role as CEO of Hong Kong’s HK$21.6 billion (£1.8 billion) West Kowloon arts hub project after five months. He has resigned due to health reasons, although many think that there must be more that triggered his abrupt decision to leave. The Wall Street Journal blog highlights that this follows the government’s decision to abandon Norman Foster’s canopy design for the arts project, while the Hong Kong Standard‘s article pinpoints Sheffield’s unfamiliarity with the local arts scene and his willingness to market the city’s arts hub on the world stage.

With the urgency to complete the 40-hectare cultural district before 2015, the Hong Kong government is now on an immediate global hunt for a new arts director. Words have gone round that Stephan Spurr, GM/director of Swire Properties with substantial arts background especially in theatre education and artistic direction, is tipped to be one of the candidates.

Mastermind behind the thriving Island East district in Hong Kong, a distinct strip of land where art and commerce meets, Spurr has demonstrated much creativity in transforming the landscapes in this skyscraper city. Born in Japan, educated in the UK and Canada, and having worked in Hong Kong’s competitive property development sector for several decades, he has international vision and is strongly supportive of arts development, especially theatre. Over the last few years, he was the volunteer artistic director for Shakespeare4All, directing plays and inspiring local schoolchildren to master Shakespearean drama/literature. He was also involved in advising the strategy of the Hong Kong Philharmonic Orchestra, which has seen considerable expansion in recent years and attracted many new patrons on board. (Read more from SCMP‘s article)

Hong Kong is a heavily built-up city, and the project land area reserved for the arts hub is a rare piece of land for new architecture, property developments and museums. With a first high speed rail soon to be built across this region, it is a great location that will soon be connected directly with the Beijing capital. Many interests are involved. Many. In my opinion, this factor calls for leaders with vision as well as diplomacy.

We are yet to discover what top-notch candidates may register their interest in this artistic director role, and the jury’s still out as to how far this arts hub project will transform the arts scene in Hong Kong or even Greater China. Yet one thing is for certain: it is time for Hong Kong to address the need for a workforce of diverse talent, to create opportunities to fuel the long term growth and development of the city’s arts and culture. It is high time to cut back bureaucracy that will poison arts development and the retention of human capital.

Much work needs to be done.