I came across Emiko Aida‘s art prints first at the International Art Fair this year in Royal College of Art, and later at the art print specialist shop For Art’s Sake in Ealing. A 60x40cm aquatint art print called Reverie in the Rain caught my attention. A girl is asleep, in the background a verdant surrounding. It is an apt imagery of an artist’s mind: an active slumber of imagination.
There is a constant play of the wind, the trees, the seasons in her work, tinged with sweet nostalgia. I am drawn to the piece entitled Koinobori, carp-shaped wind socks that celebrate Children’s Day. The poignant choice of colours of those wind socks, the flippant tilt of the pole are put in strong contrast against a more aged background – slate coloured surrounding full of buildings – highlighting the triumph of innocence, the invisible passage of wind and time.
The artist is interested in detail and painting moods. Her work reminds me of the use of imagery in Kazuo Ishiguro’s books: that focus on the introspective, the nostalgic for a floating world. While I think the rich details work in some of the works such as the Koinobori and the sushi imageries, the more abstract artpieces such as The Echo Sounding series might benefit from a bolder, surreal treatment or a stranger use of colour. A tall man in a long coat stands in the rain, looking at the outside world. The fact that his back is facing the viewer provokes curiosity: we can only imagine what will his thoughts are in this rainy weather.
In some of her work there is at times a strange lack of perceptual depth – as if the world has been pressed flat. Check out the perspective she has chosen for the oil painting The Ninten City, with a boy in a hoodie top, overlooking the city from the rooftop, oddly placid. Such perspective gives impetus to the work, hinting at the unreal, creating a dialogue on the art of perspectives with the work by Matisse and Magritte.
It is most difficult to dwell on the beauty of Japanese art and culture, without thinking about the sorrows of Fukushima.